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Proportion - The smaller balls recede into the background while the larger ones come to the front. The girl is larger than everything else, including the houses, causing her to be out of proportion and therefore is given greater importance to the message of the design.

Proportion - The smaller balls recede into the background while the larger ones come to the front. The girl is larger than everything else, including the houses, causing her to be out of proportion and therefore is given greater importance to the message of the design.

일본 포스터 모음 열번째

일본 포스터 모음 열번째

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일본 여성 전용 마사지 http://yeojunsa.com 여성전용유흥커뮤니티 여전사 http://bamsuny.com 업소여성전용커뮤니티 밤순이

2headedsnake

2headedsnake

Old School vector tapes

Old School vector tapes

Google Image Result for http://images.fineartamerica.com/images-medium-large/antique-snapshot-cameras-l-s-keely.jpg

Google Image Result for http://images.fineartamerica.com/images-medium-large/antique-snapshot-cameras-l-s-keely.jpg

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The LUCID camera is a literal approach to point-and-shoot digicams that makes perfect, simple sense. Rather than a battery-sucking digital screen with lag time and added expense, it features a concave lens that matches the focal point of the camera.

The LUCID camera is a literal approach to point-and-shoot digicams that makes perfect, simple sense. Rather than a battery-sucking digital screen with lag time and added expense, it features a concave lens that matches the focal point of the camera.

Mid century modern

Mid century modern

Anatomy of Form by Anne Tyng  She was a pioneering female architect whose ideas about geometry influenced Louis Kahn’s modernist buildings. Although she was among the first group of women to graduate from Harvard University’s architecture school in 1944, she struggled her entire career to be taken seriously. Firms would not hire her because she was a woman.

Anatomy of Form by Anne Tyng She was a pioneering female architect whose ideas about geometry influenced Louis Kahn’s modernist buildings. Although she was among the first group of women to graduate from Harvard University’s architecture school in 1944, she struggled her entire career to be taken seriously. Firms would not hire her because she was a woman.