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Max Ernst. Cover for Repetitions (1922). *eye is open but it can't see*

Max Ernst. Cover for Repetitions (1922). *eye is open but it can't see*

Max Ernst ~ Rien ne va plus, 1973

Max Ernst ~ Rien ne va plus, 1973

Max Ernst, The elephant Celebes, 1921 Surrealism Max Ernst often re-use images, he either added or removed pictures into his artworks in order to create new realities. This painting It combines the vivid, dreamlike atmosphere of Surrealism period. (-Re-ppined from Cynthia Wei)

Max Ernst, The elephant Celebes, 1921 Surrealism Max Ernst often re-use images, he either added or removed pictures into his artworks in order to create new realities. This painting It combines the vivid, dreamlike atmosphere of Surrealism period. (-Re-ppined from Cynthia Wei)

Max Ernst (1891-1976) Nocturne signed 'max ernst' (lower right) oil on panel laid down on panel Image size: 16 1/8 x 12 7/8 in. (41 x 32.8 cm.) Mount size: 24¾ x 21 5/8 in. (62.9 x 54.9 cm.) Painted in 1967

Max Ernst (1891-1976) Nocturne signed 'max ernst' (lower right) oil on panel laid down on panel Image size: 16 1/8 x 12 7/8 in. (41 x 32.8 cm.) Mount size: 24¾ x 21 5/8 in. (62.9 x 54.9 cm.) Painted in 1967

Max Ernst, Une Semaine de bonté (A Week of Kindness)

Max Ernst, Une Semaine de bonté (A Week of Kindness)

The Robing of the Bride. Oil on canvas. 130 x 96 cm. 1940. Peggy Guggenheim Collection, Venice, Italy

The Robing of the Bride. Oil on canvas. 130 x 96 cm. 1940. Peggy Guggenheim Collection, Venice, Italy

"Forêt et soleil"  Max Ernst

"Forêt et soleil" Max Ernst

Max Ernst, And the Butterflies Began to Sing (Illustration from La Femme 100 Tetes), 1929

Max Ernst, And the Butterflies Began to Sing (Illustration from La Femme 100 Tetes), 1929

Red Forest - Max Ernst.PinIt : Anónimo de Piedra

Red Forest - Max Ernst.PinIt : Anónimo de Piedra

Max Ernst, Une Semaine de Bonté..I have this book and it is a wealth of intriguing images..mesmerizing

Max Ernst, Une Semaine de Bonté..I have this book and it is a wealth of intriguing images..mesmerizing

Leonora Carrington & Max Ernst by Lee Miller.

Leonora Carrington & Max Ernst by Lee Miller.

Max Ernst, Configuration No.16, 1974. More

Max Ernst, Configuration No.16, 1974. More

The Vampire's Kiss, Max Ernst

Bésame mucho

The Vampire's Kiss, Max Ernst

'The Dark Gods', by Max Ernst, oil-on-canvas, 1957, Museum Folkwang, Essen.

'The Dark Gods', by Max Ernst, oil-on-canvas, 1957, Museum Folkwang, Essen.

Surrealist Max Ernst collage from illustrated book 'Une Semaine de Bonté' (A week of kindness), 1934 where each collage forms a series of linked images to produce extraordinary creatures which evolve in different settings and create visionary worlds without any sense of reality.

Surrealist Max Ernst collage from illustrated book 'Une Semaine de Bonté' (A week of kindness), 1934 where each collage forms a series of linked images to produce extraordinary creatures which evolve in different settings and create visionary worlds without any sense of reality.

Max Ernst, La forêt grise, 1926.

Max Ernst, La forêt grise, 1926.