typo

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キラキラのぞけまんげきょう | homesickdesign

キラキラのぞけまんげきょう | homesickdesign

2014 Typography 2 특별한 시신문 6호 / #청춘 #바람체 타이포그래피 designed by #suhyeonkim

2014 Typography 2 특별한 시신문 6호 / #청춘 #바람체 타이포그래피 designed by #suhyeonkim

Here is some selected work of Ahn Sang Soo who is one of the most influential designers in Korea, renowned for developing the traditional Hangul typography into a functional medium for today. via egodesign.ca and typolover.com

Ahn Sang-Soo

Here is some selected work of Ahn Sang Soo who is one of the most influential designers in Korea, renowned for developing the traditional Hangul typography into a functional medium for today. via egodesign.ca and typolover.com


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©The Gallery 더갤러리

©The Gallery 더갤러리

게슈탈트법칙 // Hi Friends, look what I just found on #web #design! Make sure to follow us @moirestudiosjkt to see more pins like this | Moire Studios is a thriving website and graphic design studio based in Jakarta, Indonesia.

게슈탈트법칙 // Hi Friends, look what I just found on #web #design! Make sure to follow us @moirestudiosjkt to see more pins like this | Moire Studios is a thriving website and graphic design studio based in Jakarta, Indonesia.

바람체 포스터 - 그래픽 디자인 · 브랜딩/편집, 그래픽 디자인, 브랜딩/편집, 그래픽 디자인, 타이포그래피

바람체 포스터 - 그래픽 디자인 · 브랜딩/편집, 그래픽 디자인, 브랜딩/편집, 그래픽 디자인, 타이포그래피

Art Cover Poster Visual Graphic Composition Mixer Artwork Design #love #type @Chris Cote Cote Cote Tuders:

Art Cover Poster Visual Graphic Composition Mixer Artwork Design #love #type @Chris Cote Cote Cote Tuders:

여러분은 ‘운형자’를 아시나요? 운영자의 동생일까요? 아니면 운씨 성을 가진 형자씨일까요? ㅎㅎ 아쉽게도 땡. 모두 정답이 아닙니다~. 운형자란 여러 가지 곡선으로 되어있는 판 모양의 곡선용 자로써, 쉽게 말하면 구름 모양을 닮은 자를 말합니다. 저도 나름 디지털 세대이기 때문에, 운형자를 직접 사용해본 적은 없는데요, 이 운형자는 레터링을 하는 데 꼭 필..

여러분은 ‘운형자’를 아시나요? 운영자의 동생일까요? 아니면 운씨 성을 가진 형자씨일까요? ㅎㅎ 아쉽게도 땡. 모두 정답이 아닙니다~. 운형자란 여러 가지 곡선으로 되어있는 판 모양의 곡선용 자로써, 쉽게 말하면 구름 모양을 닮은 자를 말합니다. 저도 나름 디지털 세대이기 때문에, 운형자를 직접 사용해본 적은 없는데요, 이 운형자는 레터링을 하는 데 꼭 필..

He can justifiably claim to have master-minded and supervised a revolutionary transition of the traditional Hangul, the Korean alphabet, into a functional medium for today, with all its digital demands and interpretations. Born in Chungju, Korea in 1952, he has enjoyed a long career as a designer and educator.

He can justifiably claim to have master-minded and supervised a revolutionary transition of the traditional Hangul, the Korean alphabet, into a functional medium for today, with all its digital demands and interpretations. Born in Chungju, Korea in 1952, he has enjoyed a long career as a designer and educator.

Exhibition poster by Daisuke Obana, 2014.

Exhibition poster by Daisuke Obana, 2014.

like the idea of overlap different languages

like the idea of overlap different languages

PLAIN | 오늘은 정말... 아무것도 안하고 있지만 더 격렬하게 아무...

PLAIN | 오늘은 정말... 아무것도 안하고 있지만 더 격렬하게 아무...

Line Type, 2014 on Behance

Line Type, 2014 on Behance

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