Mirror Melt

Mirror Melt

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Mirror Melt
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JORGE OTEIZA - (born Oct. 21, 1908, Orio, Spain—died April 9, 2003, San Sebastián, Spain), Basque sculptor who , examined the nature of space and emptiness in monumental minimalist sculptures that were influential in the art world of the mid-20th century. Oteiza began sculpting while studying medicine in Madrid. In 1935–48 he lived in South America, and the pre-Columbian art that he saw there informed his later work. Oteiza won the grand prize for sculpture at the 1957 São Paulo Bienal…

JORGE OTEIZA - (born Oct. 21, 1908, Orio, Spain—died April 9, 2003, San Sebastián, Spain), Basque sculptor who , examined the nature of space and emptiness in monumental minimalist sculptures that were influential in the art world of the mid-20th century. Oteiza began sculpting while studying medicine in Madrid. In 1935–48 he lived in South America, and the pre-Columbian art that he saw there informed his later work. Oteiza won the grand prize for sculpture at the 1957 São Paulo Bienal…

mitrovica

These structures were commissioned by former Yugoslavian president Josip Broz Tito in the and to commemorate sites where WWII battles took place - This one is in Mitrovica

Geometric Sculpture, Abstract Sculpture, Sculpture Ideas, Sculpture Art, 3 Point Perspective, Art Object, Art Drawings, Low Poly, Glass Art, Wings, Arquitetura, Modern Architecture, Cubes, Concept, Fit, Geometry, Model, Drawings, Art Paintings

FRANZ WEISSMANN (1911-2005) Sem Titulo Escultura em ferro pintado Ass. e datada 1977 Alt. 50 cm equilibrio simétrico regularidade simplicidade unidade economia minimização previsibilidade estase sutileza neutralidade opacidade estabilidade extadião profundidade justaposição sequencialidade agudeza repetição

FRANZ WEISSMANN (1911-2005) Sem Titulo Escultura em ferro pintado Ass. e datada 1977 Alt. 50 cm equilibrio simétrico regularidade simplicidade unidade economia minimização previsibilidade estase sutileza neutralidade opacidade estabilidade extadião profundidade justaposição sequencialidade agudeza repetição