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It’s very rare for me to write about digital work, but boy oh boy, I do love the way this lady stretches a pixel! I wrote about American artist Frances Berry in I just discovered her most recent

The long, twisted history of glitch art

SARA CWYNAR Girl from Contact Sheet 2 (Darkroom Manuals), 2013 Chromogenic print 30 × 24 in × 61 cm Edition of 3 + Cooper Cole Gallery

Adam Ferriss. His recent work utilizes the RGB Tricolor separation process and pixel sorting algorithms as procedural mechanisms to initiate iterative changes in light and pixel structure.

His recent work utilizes the RGB Tricolor separation process and pixel sorting algorithms as procedural mechanisms to initiate iterative changes in light and pixel structure.