Edward Hopper paintings | The Hyde Collection | Emerging from the Shadows
Explore the nuances hidden within the shadows in Edward Hopper's work in an upcoming exhibition at The Hyde Collection.
Edward Hopper | (Bell Tower)
Edward Hopper, (Bell Tower), 1923–1924. Watercolor and graphite pencil on paper, sheet: 13 15/16 × 19 15/16in. (35.4 × 50.6 cm). Whitney Museum of American Art, New York; Josephine N. Hopper Bequest 70.1109. © Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York
Edward Hopper | Quotes /Citazioni
- My aim in painting has always been the most exact transcription possible of my most intimate impression of nature. - Il mio scopo nel dipingere è sempre stata la più esatta trascrizione possibile della più intima impressione della natura. - What I wanted to do was to paint sunlight on the side of a house. - Quello che vorrei dipingere è la luce del sole sulla parete di una casa.
Lighthouse Hill, Cape Elizabeth, Maine - 1000Museums
Lighthouse Hill, Cape Elizabeth, Maine is one of two paintings that Hopper painted featuring the Two Lights lighthouse in Cape Elizabeth. Hopper creates a defined horizon line separating the pale blue sky and pale green hills. The color palette captures a somber mood even in daylight. In the foreground, houses inhabit the vast landscape, and the lighthouse can be seen in the back, isolated from the rest of the built environment. The houses interact with the landscape; however, Hopper makes…